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  1. Loss of a Pet Poems and Prayers
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In , Evans joined Miles Davis 's sextet, which in , then immersed in modal jazz , recorded Kind of Blue , the best-selling jazz album of all time. In late , Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian , a group now regarded as a seminal modern jazz trio. In , ten days after finishing an engagement at the New York Village Vanguard jazz club, LaFaro died in a car accident.

After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels. In , Evans recorded Conversations with Myself , a solo album using the unconventional technique of overdubbing over himself. Many of Evans's compositions, such as " Waltz for Debby ", have become standards, played and recorded by many artists. His father was of Welsh descent and ran a golf course; his mother was of Carpatho-Rusyn [5] ancestry and descended from a family of coal miners. Given Harry Evans Sr. There, Harry began piano lessons somewhere between age 5 and 7 with local teacher Helen Leland.

Even though Bill was thought to be too young to receive lessons, he soon began to play what he had heard during his brother's class. Evans remembered Leland with affection for not insisting on a heavy technical approach, with scales and arpeggios. He would soon develop a fluent sight-reading ability, though his teacher rated his brother as a better pianist. Even though he soon dropped those instruments, it is believed they later influenced his keyboard style.

He later cited Mozart , Beethoven and Schubert as frequently played composers. At the age of 13, Bill stood in for a sick pianist in Buddy Valentino's rehearsal band, [14] where Harry was already playing the trumpet. Another important influence was bassist George Platt, who introduced Evans to the harmonic principles of music. Evans attended North Plainfield High School , graduating in He particularly admired Cole. Interview with Harry Evans. Bill Evans talking about Gretchen Magee [6]. After high school, in September , Evans attended Southeastern Louisiana University on a flute scholarship.

Kohnop, John Venettozzi, and Ronald Stetzel. Soon, Bill would compose his first tune. Around his third year in college, Evans composed his first known tune, "Very Early". He was a founding member of SLU's Delta Omega chapter of Phi Mu Alpha Sinfonia , played quarterback for the fraternity's football team, and was part of the college band. In , he performed Beethoven's Piano Concerto No. Evans regarded the last three years in college as the happiest in his life.

During college, Evans met guitarist Mundell Lowe , and after graduating, they formed a trio with bassist Red Mitchell. The three relocated to New York City. However, their inability to attract bookings prompted them to leave for Calumet City, Illinois. Upon its return to Chicago, Evans and Aton worked as a duo in clubs, often backing singer Lurlean Hunter. Shortly thereafter, Evans received his draft notice and entered the U.

Loss of a Pet Poems and Prayers

During his three-year —54 stay in the army, [15] Evans played flute, piccolo, and piano in the Fifth U. Army Band at Fort Sheridan. He also hosted a jazz program on the camp radio station and occasionally performed in Chicago clubs, where he met singer Lucy Reed , with whom he became friends and would later record. He also met singer and bassist Bill Scott and Chicago jazz pianist Sam Distefano his bunkmate in their platoon , both of whom became Evans's close friends.

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Evans's stay in the army was traumatic, and he had nightmares for years. As people criticized his musical conceptions and playing, he lost his confidence for the first time. Evans was discharged from the Army in January , and entered a period of seclusion, triggered by the harsh criticism he had received. He took a sabbatical year and went to live with his parents, where he set up a studio, acquired a grand piano and worked on his technique.

The self-critical Evans believed he lacked the natural fluidity of other musicians. He visited his brother Harry, now in Baton Rouge, Louisiana , recently married and working as a conservatory teacher. In July , Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in musical composition. He also wrote classical settings of poems by William Blake. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom , as well as Jewish weddings, intermission spots, and over dances.

However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard , where one day he saw Miles Davis listening to him. During this period, Evans also met Thelonious Monk. While Evans may have played on some of Wald's discs, his first proven Wald recording was Listen to the Music of Jerry Wald , which also featured his future drummer Paul Motian.

During this period, he met two of Reed's friends: manager Helen Keane , who, seven years later, would become his own agent; and George Russell , with whom he would soon work. That year, he also made his first recording, in a small ensemble, in Dick Garcia 's A Message from Garcia. After the Complete sessions, Scott left for a long overseas tour.

George Russell upon hearing Bill Evans for the first time. Evans had met George Russell during his tenure with Lucy Reed. Russell's first impression of Evans was negative "this is going to be like pulling teeth all day" , but when he secretly heard Evans play, he completely changed his mind.

This new concept was ground-breaking in jazz, and would soon influence musicians like Miles Davis. Evans, who had already been acquainted with these ideas before, began to work with him in Then, Russell assembled trumpeter Art Farmer , guitarist Barry Galbraith , bassist Milt Hinton and Evans for three recording dates, along with rehearsal sessions. In these, only the bassist was given a written part, while the rest were left, and, according to Farmer, "took the parts at home and tried to come to terms with them".

The album took a year to do, and it was successful enough to enable Russell to escape his penurious lifestyle. In September , producer Orrin Keepnews was convinced to record the reluctant Evans by a demo tape Mundell Lowe played to him over the phone. The result was his debut album, New Jazz Conceptions , featuring the original versions of " Waltz for Debby ", and "Five". Although a critical success that gained positive reviews in Down Beat and Metronome magazines, New Jazz Conceptions was initially a financial failure, selling only copies the first year.

In , Russell was one of six musicians three jazz, three classical composers commissioned by Brandeis University to write a piece for their Festival of the Creative Arts in the context of the first experiments in third stream jazz. Russell wrote a suite for orchestra, "All About Rosie", which featured Bill Evans among other soloists. During the festival performance, in June 6, Evans became acquainted with Chuck Israels , who would become his bassist years later.

That year, he also met Scott LaFaro while auditioning him for a place in an ensemble led by trumpeter Chet Baker , and was impressed by the young bassist. Three years later, LaFaro would join his trio. Evans knew it was an audition, and that he might replace the recently fired Red Garland. By the end of the night, Davis told Evans that he would be playing their next engagement in Philadelphia. Evans joined the group in April On May 17, the radio material would be recorded on the album Makin' Wax , the first documented evidence of Evans with Davis.

On May 26, Evans made his first studio recordings with Davis, which were first issued as part of Jazz Track , [37] and later reissued on Miles. A performance of the Ballets Africains from Guinea , in , had originally sparked Davis' interest in modal music. This music stayed for long periods of time on a single chord, weaving in and out of consonance and dissonance. He realized that Evans, who had worked with Russell, could follow him into modal music. At the same time, Evans introduced Davis to European classical music. The band's mostly black followers did not react favourably to the replacement of the charismatic Garland with a white musician.

However, the band began to find a new, smoother groove, as Adderley noted: "When he started to use Bill, Miles changed his style from very hard to a softer approach. Miles Davis [39]. In July , Evans appeared as a sideman in Adderley's album Portrait of Cannonball , featuring the first performance of " Nardis ", specially written by Davis for the session. While Davis was not very satisfied with the performance, he said that from then on, Evans was the only one to play it in the way he wanted.

The piece came to be associated with Evans's future trios, which played it frequently. By the end of the summer, Davis knew Evans was quickly approaching his full professional development; and that he would soon decide to leave Davis' group. All three had won the Down Beat poll. During this period, despite all the successes, Evans was visiting a psychiatrist, as he was unsure whether he wanted to continue as a pianist.

Evans left Davis' sextet in November and stayed with his parents in Florida and his brother in Louisiana. While he was burned out, one of the main reasons for leaving was his father's illness. It had come almost automatically, and I was very anxious about it, afraid I might lose it. This was Evans's second album as a leader, since New Jazz Conceptions , recorded two years earlier. While producer Orrin Keepnews had many times tried to persuade Evans to make a second trio recording, the pianist felt he had nothing new to say He had also been too busy traveling with Davis to make a record.

Evans started to play an introduction using an ostinato figure. However, according to Keepnews, who was present, the pianist spontaneously started to improvise over that harmonic frame, creating the recording that would be named "Peace Piece". According to Evans: "What happened was that I started to play the introduction, and it started to get so much of its own feeling and identity that I just figured, well, I'll keep going.

Evans returned to the Davis sextet in early , at the trumpeter's request, to record Kind of Blue , often considered the best-selling jazz album of all time. As usual, during the sessions of Kind of Blue , Miles Davis called for almost no rehearsal and the musicians had little idea what they were to record. Davis had given the band only sketches of scales and melody lines on which to improvise.

Download PDF Jazz says Goodbye: A book for anyone who has lost someone

Once the musicians were assembled, Davis gave brief instructions for each piece and then set about taping the sextet in studio. During the creative process of Kind of Blue , Davis handed Evans a piece of paper with two chords—G minor and A augmented—and asked "What would you do with that? However, when the album came out, the song was attributed exclusively to Davis. Sometime during the late s, most probably before joining Miles Davis, Evans began using heroin.

Philly Joe Jones has been cited as an especially bad influence in this aspect. Evans's first long-term romance was with a black woman named Peri Cousins for whom "Peri's Scope" was named , during the second half of the s. The couple had problems booking in hotels during Evans's gigs, since most of them did not allow inter-racial couples. By the turn of the decade, Evans had met a waitress named Ellaine Schultz, who would become his partner for twelve years. Evans in interview with George Clabin, [33]. In mid Scott LaFaro , who was playing up the street from Evans, said he was interested in developing a trio.

LaFaro suggested Paul Motian , who had already appeared in some of Evans's first solo albums, as the drummer for the new band. With this group Evans's focus settled on traditional jazz standards and original compositions, with an added emphasis on interplay among band members. Evans and LaFaro would achieve a high level of musical empathy.

While the trio did not produce any studio records in , two bootleg recordings from radio broadcasts from April and May were illegally released, something that infuriated Evans. Later, they would be posthumously issued as The Birdland Sessions. In parallel with his trio work, Evans kept his work as a sideman. Around this time, Evans hired Monte Kay as his manager. During one of his concerts at the Jazz Gallery, Evans contracted hepatitis , and had to retreat to his parents' house in Florida.

In , Evans produced four albums in rapid succession. The first, Explorations , was recorded in February According to Orrin Keepnews, the atmosphere during the recording sessions was tense, Evans and LaFaro having had an argument over extra-musical matters; in addition, Evans was complaining of headaches and LaFaro was playing with a loaned bass. Apart from "Nardis" and "Elsa", the album consisted of jazz standards. Ironically, after recording, Evans was utterly unwilling to release it, believing the trio had played badly.

However, upon hearing the recording, he changed his mind, and later thought of it in very positive terms.

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These albums were live recordings from the same live date, and are often named among the best ever jazz recordings. LaFaro's death, at age 25, in a car accident, ten days after the Vanguard performances, devastated Evans. He did not record or perform in public again for several months. In October , persuaded by his producer Orrin Keepnews, Evans reappeared on the musical scene with an album with Mark Murphy.

In , after having switched from Riverside to the much more widely distributed Verve for financial reasons related to his drug addiction , he recorded Conversations with Myself , an innovative album which featured overdubbing, layering up to three individual tracks of piano for each song. The album won him his first Grammy award.

Evans's heroin addiction began in the late s, and increased following LaFaro's death. His girlfriend Ellaine was also an addict. Evans habitually had to borrow money from friends, and eventually, his electricity and telephone services were shut down. Evans said, "You don't understand.

It's like death and transfiguration. Every day you wake in pain like death and then you go out and score, and that is transfiguration. Each day becomes all of life in microcosm. Evans never allowed heroin to interfere with his musical discipline, according to a BBC record review article which contrasts Evans's addiction with that of Chet Baker. In summer , Evans and his girlfriend Ellaine left their flat in New York and settled in his parents' home in Florida, where, it seems, they quit the habit for some time.

At that time, Ellaine meant everything to Bill, and was the only person with whom he felt genuine comfort. Though he recorded many albums for Verve, their artistic quality was uneven. Some recordings in unusual contexts were made, such as a big-band live album recorded at Town Hall , New York that was never issued owing to Evans's dissatisfaction with it although the more successful jazz trio portion of the Pavane concert was released , and an album with a symphony orchestra that was not warmly received by critics.

Live recordings and bootleg radio broadcasts from this time period represent some of the trio's better work. One of the most significant releases during this period is Bill Evans at the Montreux Jazz Festival , where he won his second Grammy award. In , drummer Marty Morell joined the trio and remained until , when he retired to family life. This was Evans's most stable, longest-lasting group.

Evans had overcome his heroin habit and was entering a period of personal stability. Between and Evans recorded From Left to Right , featuring his first use of electric piano. One of these was "Comrade Conrad", a tune that had originated as a Crest toothpaste jingle and had later been reelaborated and dedicated to Conrad Mendenhall, a friend who had died in a car accident. Morell was an energetic, straight-ahead drummer, unlike many of the trio's former percussionists, and many critics feel that this was a period of little growth for Evans.

Although the police put him in jail for the night he was not charged.

Loss of a Pet Poems and Prayers for Comfort and Celebration

But both he and Ellaine had to begin methadone treatment. In , while working in Redondo Beach , California, Evans met and fell in love with Nenette Zazzara, despite his long-term relationship with Ellaine. Evans's relatives believe that Ellaine's infertility, coupled with Bill's desire to have a son, may have influenced those events. When a beloved pet dies, the pet goes to this place. There is always food and water and warm spring weather.

The old and frail animals are restored to health and vigor. Those who were hurt or maimed are made whole and strong again, just as we remember them in our dreams of days and times gone by. They frolic and romp all day with one another. The animals are happy and content, except for one small thing. They each miss someone very special to them, who had to be left behind. They run and play together until the day comes when one of them suddenly stops playing and looks off into the distance.

The nose twitches.

The ears are up. The bright eyes are intent. The eager body quivers. Suddenly this one runs from the group, faster and faster, leaping and flying over the tall green grass. You have been spotted, and when you and your special friend finally meet, you take him or her in your arms and embrace, clinging together in joyous reunion. Happy kisses rain upon your face; your hands again caress the beloved head, and you look once more into the trusting eyes of your cherished pet, so long gone from your life, but never absent from your heart.

And with your pet beside you once again, you cross the rainbow bridge together. The Creation —Author Unknown When God had made the earth and sky the flowers and the trees, He then made all the animals the fish, the birds and bees. And so He traveled far and wide and everywhere He went, a little creature followed Him until its strength was spent.

I am not there. I do not sleep. I am a thousand winds that blow. I am the diamond glints on snow. I am the sunlight on ripened grain. I am the gentle autumn rain. I am the soft star that shines at night. Do not stand at my grave and cry.

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I do not die. Lend Me a Pup — Author Unknown I will lend to you for awhile a puppy, God said, For you to love him while he lives and to mourn for him when he is gone. Maybe for twelve or fourteen years, or maybe for two or three. But will you, till I call him back take care of him for me?

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I cannot promise that he will stay, since all from earth return, But there are lessons taught below I want this pup to learn. Now will you give him all your love Nor think the labour vain Nor hate me when I come to take my pup back again. I fancied that I heard them say. A Bridge Called Love —Author unknown It takes us back to brighter years, to happier sunlit days, and to precious moments that will be with us always. And these fond recollections are treasured in the heart to bring us always close to those from whom we had to part. A Prayer for Animals —Albert Schweitzer Hear our humble prayer, O God, for our friends the animals, especially for animals who are suffering; for any that are hunted or lost or deserted or frightened or hungry; for all that must be put to death.

We entreat for them all Thy mercy and pity, and for those who deal with them, we ask a heart of compassion and gentle hands and kindly words. Make us, ourselves, to be true friends to animals and so to share the blessings of the merciful. As loyal and loving as mine. To sleep by His manger and gaze in His eyes And adore Him for being divine. As our Lord grew to manhood His faithful dog, Would have followed Him all through the day. While He preached to the crowds and made the sick well And knelt in the garden to pray.

It is sad to remember that Christ went away. To face death alone and apart. Well, the Lord has a dog now, I just sent Him mine, The old pal so dear to me. So often I see you crying, Many times you call my name, I want so much to lick your face And ease some of your pain. I wish that I could make you see That Heaven indeed is real.

If you could see me run and play How much better you would feel. For on this day, more than the rest Your love and friendship must stand the test. When the time comes, please, let me go. And hold me firm and speak to me Until my eyes no longer see. I know in time you will agree It is a kindness you do to me. Although my tail its last has waved, From pain and suffering I have been saved. Next Article: Pet Loss Quotes. Sign up to receive the entire free series of Word to the Wise Guides.

Meet the Wise Guys. Toggle navigation Menu. Susan A. Pet Loss Quotes. Who Are the Wise Guys? What do I say at a funeral?